This issue became so notorious that in 1862, the satirical magazine Punch published a cartoon titled The Arsenic Waltz, which depicted skeletons dancing – a grim commentary on the deadly fashion trend.
The harmful effects of these pigments have even been implicated in Napoleon’s death from stomach cancer. Napoleon was particularly keen on the new green colours, so much so that he ordered his dwelling on St Helena, where he was exiled, be painted in his favourite colour.
The theory that the arsenic in the walls contributed to his death is supported by the high levels of arsenic detected in samples of his hair. Despite the clear link between the green pigments and health issues, toxic wallpapers continued to be produced until the late 19th century.
Green isn’t the only colour to worry about, however. Red is also of concern. The brilliant red pigment vermilion was formed from the mineral cinnabar, also known as mercury sulfide. This was a popular source of red paint dating back thousands of years. There is even evidence that neolithic artists suffered from mercury poisoning. Vermilion red sometimes appears on the marbled patterns on the inside of book covers.
Yellow has also caught the eye of the poisonous book project. In this case, the culprit is lead chromate. The bright yellow of lead chromate was a favourite with painters, not least Vincent van Gogh, who used it extensively in his most famous series of paintings: Sunflowers. For the Victorian-era bookbinders, lead chromate allowed them to create a range of colours from greens (achieved by mixing chrome yellow with Prussian blue) to yellows, oranges and browns.
Both lead and chromium are toxic. But yellow books are less of a concern than green and red. Lead chromate is not particularly soluble, making it difficult to absorb. It is, in fact, still a widely used pigment.
Practical advice
So what should you do if you come across a green cloth book from the 19th century? First, don’t be overly concerned. You would probably have to eat the entire book before you’d suffer from severe arsenic poisoning. However, casual exposure to copper acetoarsenite, the compound in the green pigment, can irritate the eyes, nose and throat.
It is more of a concern for folks who may regularly handle these books where frequent contact could result in more serious symptoms. Therefore, anyone who suspects they might be handling a Victorian-era book with an emerald green binding is advised to wear gloves and avoid touching their face. Then clean all surfaces afterwards.
To aid with the identification of these potentially hazardous books, the Poisonous Book Project has incorporated crowd-sourced data into their research. The researchers now distribute bookmarks that feature safety warnings and showcase various shades of emerald green to aid their identification. As a result, they have now identified over 238 arsenic editions from across the globe.
This article by Mark Lorch, Professor of Public Engagement and Science Communication at the University of Hull, was originally published on The Conversation. The views or opinions expressed by individuals do not necessarily reflect those of the University.