Dr Mark Slater

Dr Mark Slater

Senior Lecturer in Music

Faculty and Department

  • Faculty of Arts Cultures and Education
  • School of The Arts

Summary

Mark Slater is a composer, producer and musicologist with an interest in the processes of how music is made, usually including uses of technology and improvisation in some way.

Whether working as a composer or producer, Dr Slater's work is fuelled by an exploration of spontaneity and collaboration - regardless of style. The focus of his music-making is on celebrating the abilities and idiosyncrasies of the musicians he works with.

As a writer, he interrogates the patterns and processes of music-making from theoretical and philosophical perspectives to understand something about what's going on when people make music.

Recent outputs

View more outputs

Book Chapter

Processes of learning in the project studio

Slater, M. (2016). Processes of learning in the project studio. In A. King, & E. Himonides (Eds.), Music, Technology, and Education : Critical Perspectives (9-26). London: Routledge. https://doi.org/10.4324/9781315596945

Digital Artefact

Nightports, 'Nightports w/ Matthew Bourne'

Slater, M., Martin, A., & Bourne, M. (2018). Nightports, 'Nightports w/ Matthew Bourne'. [https://nightports.bandcamp.com/album/nightports-w-matthew-bourne]

Nightports, 'Depart'

Slater, M., & Martin, A. (2015). Nightports, 'Depart'. [https://nightports.bandcamp.com/album/depart]

Journal Article

Locating project studios and studio projects

Slater, M. (2016). Locating project studios and studio projects. Journal of the Royal Musical Association, 141(1), 167-202. https://doi.org/10.1080/02690403.2016.1151241

Nests, arcs and cycles in the lifespan of a studio project

Slater, M. (2015). Nests, arcs and cycles in the lifespan of a studio project. Popular music, 34(1), 67-93. https://doi.org/10.1017/S0261143014000683

Postgraduate supervision

Dr Slater welcomes applications for PhD research in the areas of composition, production, the aesthetics and poetics of record production, and collaborative creativity.

Completed PhDs

- Stuart McCallum, Making Music in the Real World: a Professional Practice Portfolio with Reflective Commentary (composition & production; 2020)

- Lewis Kennedy, Functions of Genre in Metal and Hardcore Music (musicology; 2018)

- Jamie Moore, Robert Glasper's Black Radio: Issues of Style and Identity, University of Hull, 2017 (performance element).

- Rowan Oliver, Rebecoming Analogue: Groove, Breakbeats and Sampling, University of Hull, 2015 (2nd supervisor).

- Niall Thomas, How Has the Development of Technology Influenced Recorded Heavy Metal, University of Hull, 2015 (2nd supervisor).

- Adam Martin, Music Producers in 21st Century Britain: an Interpretative Phenomenological Analysis, University of Hull, 2014

Current PhD supervisions

- Sandy Clark, The Siren: Towards Accessibility in the Composition of a Multimedia Episodic Opera (composition)

- George Marshall, Constraint and Creative Decision Making in the Composition of Concert Works, Film and Video-game Soundtracks (composition)

- Michael Betteridge, Inclusion, Visibility and Giving Communities a Voice: Social Contexts and Social Processes in my Vocal and Music Theatre Work 2016-2018 (composition)

- Brice Catherin, Transmission Strategies and Blossoming Participants in My Composed Music (composition)

- Brett Gordon, Sculpting Sound: the Composer's Relationship with Sound Material in Electroacoustic Music (2nd supervisor)