Dr Christian Billing

Dr Christian Billing

Reader in Drama, Director of Research (School of the Arts)

Faculty and Department

  • Faculty of Arts Cultures and Education
  • School of The Arts

Qualifications

  • BA (University of Kent)
  • MA (University of Leeds)
  • PGCert (Goldsmiths, University of London)
  • PhD (University of Warwick)

Recent outputs

View more outputs

Book Chapter

'Though this be method, yet there is madness in't': Cutting Ovid's tongue in recent stage and film performances of Titus Andronicus

Billing, C. M. (2016). ‘Though this be method, yet there is madness in’t’: Cutting Ovid’s tongue in recent stage and film performances of Titus Andronicus. In P. Holland (Ed.), Shakespeare and Rome (58-78). Cambridge, UK: Cambridge University Press. https://doi.org/10.1017/sso9781316670408.006

"Here is my space": Josef Svoboda's Shakespearean imagination

Billing, C. M. (2016). "Here is my space": Josef Svoboda's Shakespearean imagination. In J. R. Brown, & S. Di Benedetto (Eds.), Designers' Shakespeare (12-37). Abingdon, Oxon: Routledge

Conference Proceeding

Historiography, Rehearsal Processes, and Performance as Translation; or, How to Stage Early Modern English Drama Today?

Billing, C. (2015). Historiography, Rehearsal Processes, and Performance as Translation; or, How to Stage Early Modern English Drama Today?

Journal Article

Czech puppet theatre in global contexts: roots, theories and encounters

Billing, C. M., & Drábek, P. (2015). Czech puppet theatre in global contexts: roots, theories and encounters. Theatralia, 5-31. https://doi.org/10.5817/ty2015-2-1

Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences

Billing, C. M. (2014). Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences. Theatralia, 17(2), 13-23