drama

Faculty of Arts, Cultures and Education

Drama and English

UndergraduateBA (Hons)

Year of entry:
UCAS code: QW34

What you'll study

Combine drama and English to study language, literature and performance at a university whose graduates go on to write and perform around the world.

First year

All modules are subject to availability and this list may change at any time.

The course consists of 120 credits per year. Most modules are 20 credits, meaning you’ll study six modules each year. Some longer modules, such as a dissertation, are worth more (e.g. 40 credits). In these cases, you’ll study fewer modules - but the number of credits will always add up to 120.

Compulsory modules

Core and compulsory modules are fundamental to achieving the learning outcomes for your course and must be studied.

  • Travels in Text and Time

    Time-travelling across three centuries of English literature, this module introduces you to key English writers and works, from Chaucer’s The Wife of Bath’s Prologue and Tale, and the late medieval play, Everyman, to Shakespeare’s A Midsummer Night’s Dream, and Milton’s Paradise Lost. Breaking down barriers between Medieval and Renaissance literature, it groups texts according to theme and explores how these themes develop in plays and poems written centuries apart.

  • Literature Lab

    In this practical module, you'll acquire essential skills for the study of literature, as well as general academic skills. In a relaxed workshop environment, you'll practise close reading of poetry, fiction and drama for example. You'll also develop your skills in essay writing, presenting, academic research and referencing.

  • Approaches to Theatre 1

    Looking at plays from different periods and historic cultures, you will explore theatre in discussions and performance workshops. This module will also introduce you to two modes of assessment: essay and presentation.

  • Approaches to Theatre 2

    This module loosely follows on from Approaches to Theatre 1, exploring play texts theoretically and practically with a view to a particular theme. You'll get to know the other two modes of assessment used in drama: performance and portfolio.

  • Safe Working Practices

    Develop competency in specialist areas of theatre production. You'll explore safe working practices and technical possibilities so you can get the most out of our performance spaces.

  • Drama and Performance

    You'll be introduced to a range of plays, ancient and modern, each of which is a theatrical and cultural landmark. Often a provocative one. The selected plays helped shape not only theatrical practice but also our understanding of what it is to be human, both now and in the past.

Second year

All modules are subject to availability and this list may change at any time.

The course consists of 120 credits per year. Most modules are 20 credits, meaning you’ll study six modules each year. Some longer modules, such as a dissertation, are worth more (e.g. 40 credits). In these cases, you’ll study fewer modules - but the number of credits will always add up to 120.

You'll take two compulsory modules in Drama

Core and compulsory modules are fundamental to achieving the learning outcomes for your course and must be studied.

  • Theatre Practice 1: Research and Development

    Working with a staff project leader, you'll develop your theatre-making skills through research and planning activities, devising exercises and practical workshops all related to a specific performance project.

  • Theatre Practice 2: Production

    You will work with other students to create a performance based on the skills developed during Theatre Practice 1. You'll engage in a combination of staff-led and student-led workshops and rehearsals, leading to a practical performance outcome.

Optional modules

Optional modules let you tailor the course to your interests. Please note, the availability of optional modules can vary each trimester. And some modules may require prior study (taking an earlier module, for example).

  • Intercultural Shakespeares

    You will study recent film adaptations and appropriations of key Shakespeare plays produced and set in India, China, Japan and North America. You'll look at issues of intercultural adaptation, and consider what new insights can be brought to the performance and reimagination of Shakespeare's works by actors, directors and other creative practitioners in a variety of contemporary global contexts.

  • The Age of Chivalry and Romance

    You'll learn about, and evaluate, the courtly medieval culture of chivalry and courtly love, then see how it was received in the 'real' world of later medieval England. Our guides for this are Sir Thomas Malory's Arthurian epic Morte Darthur and Geoffrey Chaucer's less respectful The Canterbury Tales.

  • Love and Desire in Renaissance Literature, c. 1530 - 1633​

    You'll study the development of the most passionate and erotic representations of love and desire in English poetry and drama over a century, from the 1530s to the 1630s, learning how English writers, such as Shakespeare, Marlowe, Sidney, Spenser and Donne, responded to and developed formal and thematic conventions from earlier European poetic traditions.

  • Visionaries and Rebels: Romantic Poets from Blake to Tennyson

    You will study Romanticism, a movement which gave birth to some of the greatest poetry in the English language. You'll be introduced to the different genres of Romantic poetry while learning about the political and philosophical background from which the poetry emerged.

  • Brief Encounters with the Victorians

    This module examines shorter narratives of the Victorian period, written by some of the most influential authors of the 19th century. It also addresses key issues of the period relating to industrialisation, class, gender and imperialism.

  • Voyage Out: Travel, Empire and Cultural Encounters

    You'll examine cultural encounters between travellers and the cultures they visit through a study of the literature of travel, including fictional accounts and visual representations, including such as art and film.

  • The Child in British and American Literature and Culture

    Develop insights into the ways in which the contradictory image of the child has been represented in literary texts in Britain and America from the 19th century through to the present day.

  • Exploratory Practice 1

    This module focuses on the skills for developing a production, including textual and thematic context, practical methodology, creative concept, planning and time management.

  • Shakespeare and Early Modern Drama

    This module returns Shakespeare to the vibrant theatrical milieu of late 16th and early 17th-century London, where we encounter him as one among a number of inventive and influential playwrights of the time. It introduces groundbreaking plays of exceptional emotional reach and imaginative daring, written in a range of popular genres during a golden age of English theatre.

  • Sentiment and Scandal: Literature of the Long 18th Century

    Explore sentiment and satire, sensibility and scandal in a module which focuses upon the diversity, innovations and influence of 18th-century poetry, drama and fiction.

  • British and American Modernism

    Explore a diverse, fascinating and radical period in English and American Literature, considering authors on both sides of the Atlantic who were committed to revolutionary change. Featured writers include T S Eliot, Virginia Woolf, James Joyce, D H Lawrence, F Scott Fitzgerald, Katherine Mansfield and Hilda Doolittle.

  • Written on the Body: Rethinking Gender and Sexuality

    This module takes a fresh look at contemporary human relations with a focus on sexuality, gender and the body. You'll study novels, poetry and films dealing with abuse and enslavement (Beloved, and The Handmaid’s Tale), new masculinities (High Fidelity and Locke), lesbian and gay writing (Fun Home and Thom Gunn’s poetry), religion and the effect on the body (Minaret), as well as trans and intersex identities (Middlesex and The Passion of New Eve).

Final year

All modules are subject to availability and this list may change at any time.

The course consists of 120 credits per year. Most modules are 20 credits, meaning you’ll study six modules each year. Some longer modules, such as a dissertation, are worth more (e.g. 40 credits). In these cases, you’ll study fewer modules - but the number of credits will always add up to 120.

Optional modules

Optional modules let you tailor the course to your interests. Please note, the availability of optional modules can vary each trimester. And some modules may require prior study (taking an earlier module, for example).

  • Making Performance 1: Research and Development

    Working in student-directed 'companies', you'll carry out independent research and dramaturgical development that works towards the performance of an original production in the following trimester. You'll be allocated a designated production role in the development of your specialism, as well as the initial stages of the production as a whole.

  • Making Performance 2: Production

    Working in student-directed 'companies', you'll continue to work in your designated production area towards the performance realisation of the concept developed during trimester one. Your production work will be staged publicly as part of the annual 'Making Performance' season on campus.

  • Playing God: Late Medieval Drama, from Page to Stage

    This module explores the vibrant drama of late medieval England, focusing on the street plays performed in cities like York and Chester, on morality plays performed indoors before paying audiences, and on political plays performed in the households of royalty and nobility. Alongside study of the text of each play, you'll have the opportunity to reimagine the plays in performance, using theatre workshops, field trips and play archives to bring the era's drama to life.

  • Gothic

    You will analyse the Gothic, from the conception of the genre in the 18th century to its manifestation in contemporary literature and film, focusing on the genre's convergence with contemporaneous social and cultural preoccupations.

  • Unruly Subjects and Renaissance Texts

    Our subject is unruliness - how it was defined, represented, attacked and, on occasion, defiantly celebrated in later 16th and early 17th-century English literature. The focus is on how writing, which was regarded with suspicion by the authorities, treats controversial issues of the day such as rebellion, sexual misconduct, cross-dressing and witchcraft and incorporates socially marginal figures whose irreducible and unruly humanity challenges us to reflect on their marginalisation and on those who are similarly marginalised in our times.

  • Writing the Revolution: Sex, Religion and Politics in the Literature of 17th-century England

    You will explore the literature of the mid-17th century in the context of the century's revolutionary turns and counter-turns: civil war, regicide, the establishment of a republic, favouring puritanism, and the Restoration of the monarchy. Among the writers studied will be John Milton, Andrew Marvell and the Restoration playwrights, George Etherege and Aphra Behn.

  • Secrets and Lies: Victorian Decadence and Degeneration 1860-1901

    Explore the development of new forms of writing which focus on the darker alternative or hidden aspects of Victorian society, such as the new woman, the homosexual man, the foreigner, and the poor, in the context of degeneration theory.

  • Childhood Trauma and its Aftermath in Contemporary Fiction

    Explore ways in which contemporary novels and 'misery memoirs' present childhood trauma that impacts on adolescence and adulthood. You'll discuss a range of characters with post-traumatic stress disorder as a result of early bereavement or mistreatment in the domestic sphere, in conjunction with psychological and medical studies of child development.

  • Exploratory Practice 2

    Through experimental practice, you’ll come to understand a range of range of styles and techniques connected to developing individual and collaborative theatre skills.

  • Performance Perspectives 3: Approaching Audiences

    Consider how theatre of different eras, genres, locations and aesthetics has approached audiences, and how the relationship between audience and performance can function.

  • Special Author: Shakespeare

    You will study plays from the whole range of Shakespeare's dramatic career, from the early 1590s to around 1610, with a selection of comedies, histories, tragedies and tragicomedies chosen for study each year.

  • Historical Fantasy: Malory to Gaiman

    You will study a variety of modern novels based on a rewriting of the past. You'll explore the way in which the past and present are interwoven in these works, and how new worlds are 'built', using both text and image. Along the way, we will ask ourselves why these fantasies are so popular today.

“Hearing how passionate the lecturers were about helping you achieve your potential made me realise Hull was the place I wanted to do my degree.”

Lauren Cloke

“The library was definitely the most impressive feature on campus and by far the best university library I have seen”

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“I chose Hull because it's got amazing facilities. It was the best university I visited, it felt like home.”

Lisa Swanson

"I am thriving in Hull. I find the course amazing, I find the University amazing".

Ellie Williams Watch Video

More about this course

Hull has an established reputation for both drama and English. We have pioneered drama for more than 50 years, and many of our graduates have gone on to notable careers in theatre, TV and film. And with Philip Larkin, Winifred Holtby and Andrew Marvell among the notable figures who've left their mark on the city, you won’t have to look far for literary inspiration.

  • Enjoy exclusive access to the Gulbenkian Centre, a Grade ll listed building featuring a theatre, studios and workshop spaces.
  • 99% of our students are in work or further study six months after graduating (UK domicile full-time first degree leavers; Destinations of Leavers from Higher Education survey for the academic year 2016/17, published by HESA 2018)
  • Benefit from the facilities of Middleton Hall where we've invested £9.5 million to create a concert venue, music theatre and cinema, with industry-standard recording facilities.

Develop your talents as a performer, critic, writer, technician or designer. We also enjoy strong relationships with local arts organisations including Hull Truck Theatre and Opera North.

Teaching and learning

Throughout your degree, you’re expected to study for 1,200 hours per year. That’s based on 200 hours per 20 credit module. And it includes scheduled hours, time spent on placement and independent study. How this time’s divided among each of these varies each year and depends on the course and modules you study.

Scheduled hours typically include lectures, seminars, tutorials, workshops, and supervised laboratory and studio sessions. The types of scheduled lessons you’ll have depend on the course you study.

Placement hours typically include time spent on a work placement, studying abroad, or field trips.

Independent study is the time outside your scheduled timetable, where you’ll be expected to study independently. This typically involves coursework, assignments, reading, preparing presentations and exam revision.

Assessment
Written
Practical
Coursework

First year

35%

65%

Second year

6%

31%

63%

Final year

6%

26%

68%


Written assessment typically includes exams and multiple choice tests.

Practical is an assessment of your skills and competencies. This could include presentations, school experience, work experience or laboratory work.

Coursework typically includes essays, written assignments, dissertations, research projects or producing a portfolio of your work.

Our teaching staff

Where you'll study

The location below may not be the exact location of all modules on your timetable. The buildings you'll be taught in can vary each year and depend on the modules you study.

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Hull Campus

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The Freedom Student Internship programme allowed our students to work on one of Hull's biggest festivals.

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Fantastic facilities include Middleton Hall, now a world-class cultural venue after a £9.5 million investment, and the Gulbenkian Centre.

Strong links with local and regional organisations including Hull Truck Theatre, Opera North, New Diorama and Out of Joint.

Entry requirements

2019 Tariff points: 112 points. Points can be from any qualifications on the UCAS tariff, but must include at least 80 points from

  • A levels
  • BTEC Subsidiary Diploma, Diploma or Extended Diploma
  • OCR Cambridge Technical Introductory Diploma, Diploma or Extended Diploma
  • CACHE Diploma or Extended Diploma
  • Irish Leaving Certificate
  • Scottish Highers
  • Welsh Baccalaureate Advanced Diploma
  • or a combination of appropriate Level 3 qualifications 

UCAS has changed the way that qualifications earn points under the Tariff system. Please click here to work out your estimated points and to find out more about how the University of Hull considers qualifications.

Alternative qualifications 

  • IB Diploma: 28 points.
  • Access to HE Diploma: pass with minimum of 45 credits at merit.

We welcome applicants with a range of qualifications from the UK and worldwide which may not exactly match the combinations shown above. Please contact the University’s Admissions Service for individual guidance.

International students

If you require a Tier 4 student visa to study or if your first language is not English you will be required to provide acceptable evidence of your English language proficiency level.

This course requires academic IELTS 6.0 overall, with no less than 5.5 in each skill. For other English language proficiency qualifications acceptable by this University, please click here.

If your English currently does not reach the University's required standard for this programme, you may be interested in one of our English language courses.

Visit your country page to find out more about our entry requirements.

Fees and funding

  • Home/EU: £9,250 per year*
  • International: £14,000 per year

*The amount you pay may increase each year, in line with inflation - but capped to the Retail Price Index (RPI).

UK and EU students can take out a tuition fee loan to cover the cost of their course, and UK students can take out a maintenance loan of up to £8,700 to cover living costs.

Substantial discounts are available for International students.  

More information on fees can be found in the Money section of the website.

Additional costs

Your tuition fees will cover most costs associated with your programme (including registration, tuition, supervision, assessment and examination).

There are some extra costs that you might have to pay, or choose to pay, depending on your programme of study and the decisions you make. The list below has some examples, and any extra costs will vary.

  • Books (you’ll have access to books from your module reading lists in the library, but you may want to buy your own copies
  • Optional field trips
  • Study abroad (including travel costs, accommodation, visas, immunisation)
  • Placement costs (including travel costs and accommodation)
  • Student visas (international students)
  • Laptop (you’ll have access to laptops and PC’s on campus, but you may want to buy your own)
  • Printing and photocopying
  • Professional-body membership
  • Graduation (gown hire and photography)

Remember, you’ll still need to take into account your living costs. This could include accommodation, travel and food – to name just a few. 

Future prospects

Almost three-quarters of our students go on to work in the creative industries after graduation, some headlining the most prestigious theatres and theatre companies in world, including the Royal Court Theatre, the National Theatre, the Royal Shakespeare Company, the Royal Opera House, and the Bouffes du Nord in Paris.

Our graduates also work for the BBC, Channel 4 and Sky or establish independent theatre companies, often using the opportunities offered by final year production modules as a launching platform.

Some of our graduates go on to further study and professional training. Recent graduates have been offered places at drama schools, including the American Academy of Dramatic Arts in New York, the Bristol Old Vic, the London Academy of Music and Dramatic Arts and the Central School of Speech and Drama. 

Many graduates go on to further study, and we expect that some will choose to take advantage of the new MA in Theatre Making at Hull and possibly even MPhil/PhD-level study here. Others have chosen Postgraduate Certificates in Education (PGCEs) in preparation for teaching or applied drama courses.