Dr Barnaby Haran

• Art and visual culture

• American photography

• Radical culture

• Transnational avant-garde networks

• Documentary film

• Transnationality Studies, University of Hull.

• SAVAnT (Scholars of American Visual Arts and Text)

Haran B, Watching the Red Dawn: The American Avant-Garde and the Soviet Union, 1922-33, Manchester University Press (2016)

Carter W, Haran B and Schwartz F J (eds.), Re/New Marxist Art History, Art Books (2013)

Haran B, 'Shaping the Mass Mind: Frederick Kiesler and the Psychology of Selling', Alison Clarke and Elana Shapira, eds., Émigré Cultures in Design and Architecture, Bloomsbury (2017)

Haran B, 'Tractor Factory Facts: Margaret Bourke-White's Eyes on Russia and the Romance of Industry in the Five-Year Plan', Oxford Art Journal (2015)

Haran B, '"Red Hashar": Louis Lozowick's Lithographs of Soviet Tajikistan', Carter W, Haran B and Schwartz F J (eds.), Re/New Marxist Art History, Art Books (2013)

• America in Theory

• American Film and Society

• Themes in American Photography

• Modern Art in America

• New York City in Culture

• Documenting America: Themes in American Nonfiction Film

• Radical Culture in the Red Decade

• MoMA: Creating the Culture of Art in America

Dr Haran welcomes applications in

• American art and visual culture

• histories of photography

• avant-garde and documentary film

• radical culture

• Postgraduate Certificate in Academic Practice, 2017

• HEA Fellowship

• BA

• MA

• PhD (University College London)

• Steering group for Hull College of Art and Design Foundation Degree: ‘Visual Culture: Theory and Practice’

• Terra Foundation Postdoctoral Research Travel Grant, 2016-17, for the project ‘Skyscrapers and Scrapheaps: American Photographic Culture in the Early Years of the Great Depression, 1929-1933’.