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1500-2000 = 500 years

OTHER ENGLISH WORD MAKERS
Gathered by Dr. ALEC GILL MBE

Other English authors followed in Shakespeare's word-making footsteps - but not to the same vast extent.

  • MORE: Sir Thomas (1478-1535) absurdity / acceptance / exact / exaggerate / explain / intrepid / utopia
  • ELLIOT: Sir Thomas (1490-1546) animate / exhaust / modesty
  • JOHNSON: Ben (1573-1637) clumsy / damp / defunct / strenuous
  • HOBBES: Thomas (1588-1679) his deathbed words were: 'a great leap into the dark'.
  • BROWNE: Sir Thomas (1605-82) antediluvian / hallucination / precarious
  • MILTON: John (1608-74) gloom / pandemonium /
                    PHRASES: darkness visible / dim religious light / fresh woods and pastures new (perhaps misquoted). Some see Milton's writing as a Pinnacle of Perfection.
  • GRAY: Thomas (1716-71) (Elegy) knell / lea
  • BURKE: Edmund (1729-97) colonial / electioneer / municipality
  • BENTHAM: Jeremy (1748-1832) international (he apologized for its inelegance) / maximize / minimize / utilitarian
  • SCOTT: Sir Walter (1771-1832) freelance / glamour / gruesome / Norseman / red-handed / uncanny / passage of arms
  • COLERIDGE: Samuel Taylor (1772-1834) homesick (translated from German)
  • SHELLEY: Percy Bysshe (1792-1822) (Ode to a Skylark) blithe / hail
  • CARLYLE: Thomas (1795-1881) decadent / environment / feckless (from Scotland) / a bolt from the blue
  • MACAULEY: Thomas Babington 1st. Baron (1800-1859) constituency / influential
  • SPENCER: Herbert (1820-1903) blatant / elfin (maybe?) / rosy-fingered (dawn)
  • HUXLEY: Thomas Henry (1825-95) agnostic
  • GALTON: Francis (1822-1911) eugenics
  • SHAW: George Bernard (1856-1950) superman
  • ORWELL: George (1903-50) Big Brother / double think / Room 101

ASIDE: One of the problems / joys of English is that spellings can remain the SAME, but MEANINGS change. Even English speakers can be surprised at how quickly meanings change over time:

Charles DICKENS (1812-70) wrote in Bleak House how "Sir Leicester leans back in his chair, and breathlessly ejaculates".
on the other hand (!)

Thomas HARDY (1840-1928) wrote in The Mayor of Casterbridge how one of the characters gazed upon "the unattractive exterior of Farfrae's erection".

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