NEW GERMAN STUDIES

• Allison, J. E.:
  • An Analysis of the Nietzschean `Wille zur Macht' as Portrayed in Heinrich Mann's `Professor Unrat'. 7 (1979), 189-204.

• Anderson, Philip N.:
  • Court and Anti-Court in Hartmann von Aue's `Der arme Heinrich'. 7 (1979), 169-187.

• Andrews, R. C.:
  • The Novel of Social Consciousness: Hermann Kant's `Die Aula'. 1 (1973), 28-39.

• Bagley, Petra M.:
  • The Death of a Father: The Start of a Story. Bereavement in Elisabeth Plessen, Brigitte Schwaiger and Jutta Schutting. 16 (1990), 21-38. (121KB)

• Baier, Clair:
  • Carossa's `Jugendgeschichte': A postscript. 7 (1979), 205-206.

• Barker, Andrew:
  • Heimito von Doderer and the `Science' Physiognomy. 5 (1977), 91-109.

• Barker, Christine R.:
  • Edgar Allan Poe and Fritz Usinger: Two Cosmologies. 3 (1975), 165-171.

• Beedham, Christopher:
  • Language Varieties And How To Teach Them - Review Article. 17 (1992/3) 203-228.

• Boag, Hugh A.:
  • The Symbolic Role of Fire in the Works of Ernst Wiechert. 10 (1982), 33 - 42.

• Bond, M. A.:
  • Some Reflections on Post-war `Hörspiele'. 4 (1976), 91-100.

• Brady, V.:
  • Relics in an East German Landscape: the Poetry of Wulf Kirsten. 2 (1974), 116-130.

• Bridgwater, Patrick:
  • The War Poetry of August Stramm. 8 (1980), 29 - 53.

• Bullivant, Keith:
  • The Notion of Morality in Wedekind's `Frühlings Erwachen'. 1 (1973), 40-47.

• Burns, Rob/ Lamb, Stephen:
  • Social Reality and Stylization in `Fear Eats The Soul': Fassbinder's Study of Prejudice. 9 (1981), 193 - 206.

• Burns, Robert A.:
  • Wedekind's Concept of Morality: An Extension of the Argument. 3 (1975), 155-164.

• Butler, Michael:
  • Concrete Poetry and the Crisis of Language. 1 (1973), 99-115.
  • The Dislocated Environment: The Theme of Itinerancy in Max Frisch's `Homo Faber'. 4 (1976), 101-118.

• Carr, G. J.:
  • Gerhart Hauptmann's `Fasching': The Grandmother. 5 (1977), 59-62.

• Coombs, Virginia:
  • The Fusion of Content and Form in Ernst Jandl's `Lassen läßt'. 13 (1985), 21-29.

• Debus, Friedhelm:
  • Zur Entwicklung der deutschen Sprache seit 1945. 16 (1990), 173-206.

• Deighton, Alan:
  • diu wîp sint alliu niht also. Aristoteles und Phyllis and the reception of Gottfried's Tristan. 6 (1978), 137-150.

• Dickins, Eric:
  • Multiple Joys. 7 (1979), 207-216.

• Dickson, Keith:
  • Of Masks and Men: an Aspect of Brecht's Theatrical Technique. 1 (1973), 1-14.

• Dickson, Sheila:
  • Black, White and shades of Grey: A Reassessment of Narrative Ambiguity in E. T. A. Hoffmann's 'Das Fräulein von Scuderi'. 17 (1992/3) 133-157.

• Dierick, A.:
  • Irony and Expressionism: an Examination of Some Short Narrative Prose. 7 (1979), 71- 90.

• Donald, Sydney G.:
  • Of Mazes, Men and Minotaurs: Friedrich Dürrenmatt and the Myth of the Labyrinth. 14 (1986), 187-231.

• Eckert, Hertwig R.:
  • Towards a Definition of the Novelle . 1 (1973), 163-172.

• Elardo, Ronald J.:
  • The Maw as Infernal Medium in `Ritter Gluck' and `Die Bergwerke zu Falun. 9 (1981), 29 - 49.

• Farrelly, D. J.:
  • Apollo and Dionysus Interpreted in Thomas Mann's `Der Tod in Venedig'. 3 (1975), 1-15.
  • Iphigenie as `Schöne Seele'. 4 (1976), 55-76.

• Feinberg, A.:
  • `Andorra' - Twenty Years On. 10 (1982), 175 - 190.

• Foulger, L. E.:
  • Forms of Address in the German Comedy of the Later Eighteenth Century . 12 (1984), 83-94.

• Fowler, Frank M.:
  • The Significance of Sambor: a Note on Schiller's `Demetrius'. 1 (1973), 48-50.
  • Why Lessing's Nathan had to be `Der Weise': on the Integration of Play and Fable . 7 (1979), 17-22.
  • `Doch Mir Verzeih Diane...' Thoas and the Disputed Ending of Goethe's `Iphigenie '. 10 (1982), 135 - 150.

• Gaskill, H.:
  • Hermann Broch as a Translator of Edwin Muir . 6 (1978), 101-116.
  • Hölderlin's "Friedensfeier" and the `Living Building'. 8, 169 - 188.

• Gillett, R. M.:
  • Oskar Loerke's `Pansmusik'. 14 (1986), 36-54.

• Good, Colin:
  • The Linguistic Division of Germany - Myth or Reality (1) . 2 (1974), 96-115.
  • On the Function of the `Fremdwort' in Modern German. 3 (1975), 127-138.
  • Die Hochsprache dienet mitnichten einer Gruppe, sintemal sie allen zu dienen sich anheischig macht, Traun fürwahr, or Hochdeutsch - A sociolinguistic perspective. 8 (1980), 221 - 251.
  • `Du mußt deine Sprache verbessern', or: the Transmission of Linguistic Norms. 14 (1986), 1-20.
  • Lexicography and Linguistic Theory with Special Reference to German. 15 (1988), 81-110.

• Hahn, Hans-Joachim:
  • From Individual to Ideology: The Crisis of Identity at the Turn of the Century. 17 (1992/3) 1-27.

• Halsall, Robert:
  • Vergil's Change of Mind: On Broch's Der Tod des Vergil. 18 (1994/5), 145 - 170.

• Hammer, A. E.:
  • A Note on the Dénouement of Gerhart Hauptmann's Fasching. 4 (1976), 87-89.

• Hanson, William:
  • Hermann Broch's `Unknown Quantity'. 2 (1974), 157-170.
  • The Achievement of Chandos and Aschenbach. 7 (1979), 41-57.
  • Anti-intellectualism in Raabe. 18 (1994/5), 15 - 34.

• Harper, Anthony J.:
  • Tradition and Experiment in the work of Fritz Hochwälder. 5 (1977), 48-57.

• Harrison, Lin:
  • The Shaping Spirit in Hans Carossa's `Jugendgeschichte'. 7 (1979), 91-104.

• Harvey, A. D.:
  • Why the Novelle? 16 (1990), 159-173.

• Hawari, Emma:
  • Samuel Johnson and Lessing's Lexicographical Work. 13 (1985), 185-195.

• Hawes, James:
  • `Faust' and Nietzsche in Kafka's `Der Prozeß'. 15 (1988), 127-151.

• Heald, David:
  • Hebbel's Conception of Realism. 1 (1973), 15-27.
  • Wolfgang Menzel - The `Denunziant' Revalued. 5 (1977), 25-48.

• Hill, D. D.:
  • `Der Kettenträger' - A Novel by Klinger?. 1 (1973), 173-178.

• Hill, Murray:
  • Thinking Sideways: Language, Object and Karl Valentin (1882-1948). 8 (1980), 129 - 147.
  • `Mit Original-Vorträgen, Soli und Gesang': Some Notes on Karl Valentin. 10 (1982), 83 - 105.

• Hodge, James L.:
  • `By their names shall ye know them': Onomastic Considerations in Lessing's `Nathan der Weise'. 9 (1981), 101 - 121.

• Holbeche, Yvonne:
  • Raimund and Romanticism: Ferdinand Raimund's Der Alpenkönig und der Menschenfeind and E. T. A. Hoffmann's Prinzessin Brambilla. 18 (1994/5), 1 - 14.

• Hollis, Andrew:
  • `Steppenwolf' - The Laughter in the Music . 6 (1978), 15-31.
  • Timelessness and the Game: Christa Wolf's `Juninachnittag' and Joachim Walther's `Wochenende im Grünen'. 7 (1979), 145-167.

• Hotho-Jackson, Sabine:
  • Subversiveness in Ingeborg Bachmann's Later Prose. 18 (1994/5), 55 - 72.

• Humble, Malcolm:
  • Brecht and Posterity: A Poem and its Reception. 14 (1986), 115-142.

• Ives, Margaret C.:
  • `An Klopstock' A Reading of a poem by Johannes Bobrowski. 7 (1979), 105-112.

• Jenkinson, D. E.:
  • Satirical elements in Hauptman's `Einsame Menschen'. 2 (1974), 145-156.

• Jones, M. S.:
  • Herwarth Walden: A `Political' Expressionist. 2 (1974), 192-200.
  • From Protégé to Künstler: Alfred Döblin's Break with `Der Sturm' . 6 (1978), 117-126.

• Jones, Sheila:
  • `Weh dem, der lügt!' Reconsidered in the Light of Some Basic Character Types in Grillparzer's Work. 2 (1974), 171-191.

• Jordan, Jim/McLaughlin, Donal:
  • `Inmitten des quälenden Geschreies der Dummheit': A new assessment of the relationship between Alfred Andersch and Thomas Mann. I: Published Statements by Andersch on Mann. 14 (1986), 55-72. II: Traces of Mann in the Literary works of Andersch. 14 (1986), 101-114.

• Joyce, Steven:
  • The Politics of Love: Ideology and Romance in Christa Wolf's `Der geteilte Himmel'. 13 (1985), 31-49.

• Kavanagh, R. J.:
  • Letters of Intent - Karl Gutzkow's `Briefe eines Narren an eine Närrin'. 7 (1979), 1-15.

• Keith-Smith, Brian:
  • Hugo von Hofmannsthal's `Weltgeheimnis' and the Theme of Love reinterpreted with the Help of Manuscript Material. 2 (1974), 48-59.
  • Heinrich von Kleist's `Über das Marionettentheater' - Coincidence of Opposites or Dialectical Structure?. 12 (1984), 175-199.
  • Unknown works by Lothar Schreyer. 14 (1986), 143-157.

• Klapper, John:
  • Existence, Authenticity and the Limit Situation: Existentialist Influences in th e Work of Stefan Andres. 16 (1990), 143-159.

• Klieneberger, H. R.:
  • Gottfried Keller and George Eliot. 5 (1977), 9-23.

• Knight, Victor:
  • The Perceptive Non-Artist: A Study of Tieck's `Der Runenberg'. 10 (1982), 21 - 31.

• Knowlton, James (with Walter Grünzweig):
  • "Public Diary": The Political Dimension of everyday Life in the Work of Gabriele Eckart. 17 (1992/3) 49-66.

• Lamport, F. J.:
  • Patzke's "Virginia". 8 (1980), 19 - 27.

• Lawrie, Steven W.:
  • Between Austrian Centre and Free German League of Culture: Erich Fried's Literary Beginnings in London. 17 (1992/3) 109-131.

• Leaman, Jeremy:
  • Nietzsche and the Dialectics of Nihilism. 9 (1981), 73 - 100.

• Littler, Margaret:
  • `Der einstweilige Genosse': Alfred Andersch and the KPD. 15 (1988), 225-235.

• Lokke, Kari E.:
  • Heine as Supernaturalist: The Confrontation of Myth and History . 12 (1984), 127-138.

• Lösel, Franz:
  • Psychology, Religion and Myth in Arnim's `Der olle Invalide auf dem Fort Ratonneau. 5 (1977), 75-90.
  • The Role of Adzak and the Question of Justice in Brecht's `Der Kaukasische Kreidekreis'. 15 (1988), 187-206.

• Mackinnon, E.:
  • Heinrich Mann's `Im Schlaraffenland': the Aesthetic Rejection of the `Bürger'. 4 (1976), 119-127.

• Malcolm, David:
  • A New View of Gideon Franke in Fontane's `Irrungen Wirrungen'. 10 (1982), 43 - 53.

• Mann, P. H.:
  • Hugo Ball and the `Magic Bishop' Episode. 4 (1976), 43-51.

• Margetts, John:
  • `Eine klare und blanke und brauchbare Wahrheit erzählen': Observations on `Die kleine Geschichte von Isidor' in Max Frisch's `Stiller'. 13 (1985), 95-113.
  • The Creative Act in Goethe's `Mailied'. 15 (1988), 17-21.

• McColgan, M.:
  • The True Dialectic of `Dantons Tod'. 6 (1978), 151-174.

• McInnes, Edward O.:
  • Social Insight and Tragic Feeling in Wagner's `Die Kindermörderin'. 4 (1976), 27-38.
  • Realism, History and the Nation. The Reception of the `Waverley' Novels in Germany in the 19th Century. 16 (1990), 39-53. (91KB)

• McKenzie, John R.:
  • The Technique of `Verwienerung' in Nestroy's `Judith und Holofernes'. 1 (1973), 119-132.

• McLintock, D. R.:
  • The Politics of the `Hildebrandslied'. 2 (1974), 61-81.

• McPherson, Karin:
  • In Search of the New Prose: Christa wolf's Reflections on Writing and the Writer in the 1960s and 1970s. 9 (1981), 1 - 13.

• Menhennet, Alan:
  • The Suggestion of Transcedence; Storm's Use of the Motifs of Stars and Wind in h is Novellen. 1 (1973), 133-149.
  • Flight of a `Broken Eagle': Joseph Roth's "Radetzkymarsch". 11 (1983), 47 - 65.
  • Historical Ambivalence in Goethe and Scott. 13 (1985), 161-184.

• Milne, Audrey:
  • Martina Wied. 17 (1992/3) 89-108.

• Moore, David:
  • Lohenstein's `Venus'. 1 (1973), 51-67.

• Murdoch, Brian/Read, Malcolm:
  • An Approach to the Poetry of Ernst Jandl. 5 (1977), 125-155.

• Murdoch, Brian:
  • Hartmann's `Gregorius' and the Quest for Life. 6 (1978), 79-100.
  • Interpreting `Kudrun': Some Comments on a recent Critical Approach . 7 (1979), 113-127.
  • Games, Image and Ambiguity in Stefan Zweig's "Schachnovelle". 11 (1983), 171-189.
  • Documentation and Narrative: Edlef Köppen's `Heeresbericht' and the Anti-war Novels of the Weimar Republic. 15 (1988), 23-48.
  • Narrative Strategies In Remarque's `Im Westen Nichts Neues'. 17 (1993/3) 175-201.

• Niven, William:
  • Hans Zöberlein's `Der Befehl des Gewissens' and the National Socialist Female Ideal. 14 (1986), 21-35.
  • Ernst Wiechert and his Role between 1933 and 1945. 16 (1990), 1-20. (126KB)

• Parkes, K. S.:
  • Crisis and New Ways: the Recent Development of Martin Walser. 1 (1973), 85-98.
  • The Novels of Ödön von Horváth. 3 (1975), 81-97.
  • The Dramatic Art of Ödön von Horváth. 5 (1977), 111-123.
  • Martin Walser: Social Critic or "Heimatkünstler": Some Notes on his Recent Devel opment. 10 (1982), 67 - 82.

• Payne, Philip:
  • Moosbrugger and the Question of Free Will. 3 (1975), 139-154.
  • Heinrich Böll versus Axel Springer:Some Observations on `Die verlorene Ehre der Katharina Blum'. 6 (1978), 45-58.

• Pender, M.:
  • The Tenor of German-Swiss Writing in the Nineteen-Seventies: E. Y. Meyer. 8 (1980), 55 - 69.

• Perkins, C. R. B.:
  • August Stramm: His Attempts to Revitalise the Language of Poetry. 4 (1976), 141-155.

• Price, Julie:
  • The Curious Story of a Curious Duel: Kleist and the Anecdote. 9 (1981), 51 - 60.

• Radcliffe, Stanley:
  • Wilhelm Raabe and the Railway. 2 (1974), 131-144.
  • The Diary of a Somebody? Wilhelm Raabe's Record of his Life. 10 (1982), 107 - 122.

• Rechtien, Renate:
  • `Prinzip Hoffnung' oder `Herz der Finsternis': Die Schilderung der Realität in Christa Wolf's `Störfall'. 17 (1992/3) 229-254. (77KB)

• Reid, J. H.:
  • `Über den Jordan gehen': a note on the history of a metaphor. 11 (1983), 155-169.

• Ritche, J. M./Last, R. W.:
  • Expressionist Drama in English: A Bibliography . 6 (1978), 59-70.

• Ritchie, J. M.:
  • Georgian Names in Bertolt Brecht's `Der kaukasische Kreidekreis'. 3 (1975), 48-52.
  • John Henry Mackay's London. 8 (1980), 203 - 219.

• Robinson, Alan R.:
  • An Author in Uniform. 1 (1973), 67-84.

• Roe, Ian. F.:
  • Hofmannsthal's `Der Schwierige' and Franz Grillparzer. 9 (1981), 15 - 28.
  • Grillparzer and the Classical Concept of Freedom. 11 (1983), 79-98

• Russ, Charles V. J.:
  • Recent Developments in Historical Phonology. 6 (1978), 175-194.
  • A Hundred Years of "Duden Rechtschreibung". 8 (1980), 189 - 201.
  • Martin Luther and the Development of the German Language. 12 (1984), 1-20.

• Salmon, Paul:
  • The German-ness of the `Nibelungenlied'. 4 (1976), 1-26.

• Scrase, David:
  • The Movable Feast: The Role and Relevance of the `Fest' Motif in Novalis' `Heinrich von Ofterdingen'. 7 (1979), 23-40.
  • Wilhelm Lehmann's "Michael Lippstock": A reassessment of an erstwhile `Poeta Pittore' and his repudiated work. 8 (1980), 109 - 128.

• Sharp, Ingrid:
  • Male Privilege and Female Virtue: Gendered Presentations of the Two Germanies. 18 (1994/5), 87 - 106.

• Shaw, Gisela:
  • "Wie war das eigentlich?" The Development of a Theme in the Work of Max von der Grün. 8 (1980), 1 - 18.
  • `Die Mauer im Kopf': Observations on Peter Schneider's "Der Mauerspringer". 11 (1983), 191-201.

• Sheppard, Richard:
  • From Grotesque Realism to Expressionism: a Linguistic Analysis of the Second Tur ning-Point in Georg Heym's Poetic Development. 3 (1975), 99-109.
  • Hugo Ball's `Totenklage': A Variant Version. 4 (1976), 53.

• Smith, J. B.:
  • Legend and Jocular Tale in A German Community. 3 (1975), 53-62.
  • `Mich streift ein Bus': A Dissenting View of Plenzdorf's `Über den Jordan gehen'. 13 (1985), 131-134.

• Sommer, Fred:
  • Nostalgia, Francophilia, and the Agony of Hitlerism: the Autobiographies of Hein rich Mann and Stefan Zweig. 16 (1990), 109-124.

• Spuler, Richard:
  • Three Sonnets by Goethe: An Investigation of Dialectics, Poetic Stance and the Symbol. 12 (1978), 201-212.

• Subiotto, Arrigo:
  • Ansichten eines Clowns - A Reassessment. 18 (1994/5), 35-54.

• Swales, Martin:
  • Ontology, Politics, Sexuality. A Note on Georg Büchner's Drama `Dantons Tod'. 3 (1975), 109-125.
  • Narrative Sleight-of-Hand: Some Notes on Two German Romantic Tales. 6 (1978), 1-14.

• Taberner, Stuart:
  Authenticity and Nostalgia: Edgar Reitz's Heimat as Tourism and Folk Museum. 18 (1994/5), 171 - 184.

• Taylor, Jennifer:
  • The Critic in Exile: Monty Jacobs in London 1939-1946. 14 (1986), 231-260.

• Thomaneck, J. K. A.:
  • Linguistics and Language Teaching: Some Implications of Sociolinguistic Findings on the Teaching of Foreign Languages with Special Reference to German. 2 (1974), 1-13.
  • A Sociolinguistic Analysis of First-Year students of German (1). 3 (1975), 63-80.
  • A Sociolinguistic Analysis of First-Year Students of German: An Additional Note On Examination Performance. 4 (1976), 39-41.
  • Government, Party and Trade Unions: Honecker's Troika. 18 (1994/5), 73 - 86.

• Thomas, Noel:
  • Oskar, the Unreliable Narrator in Günter Grass's `Die Blechtrommel'. 3 (1975), 31-47.
  • Shakespeare's `Coriolanus' and Grass's `Die Plebejer proben den Aufstand' - A comparison. 5 (1977), 169-184.
  • Simon Dach and Günter Grass' "Das Treffen in Telgte". 8 (1980), 91 - 108.
  • Readiness is All - Max Frisch's `Der Mensch erscheint im Holozän'. 13 (1985), 115-129.

• Thompson, Bruce:
  • The Relevance of the Text. A Report on the Teaching of Conrad Ferdinand Meyer's `Das Leiden eines Knaben'. 5 (1977), 63-74.

• Travers, Martin:
  • The Threat of Modenity and the Literature of the Conservative Revolution in Germany: Herman Löns' `Der Werwolf'. 17 (1992/3) 29-47.

• Turner, David:
  • Setting the Record Straight on Hauptmann's `Fasching'. 4 (1976), 157-159.

• Wailes, Stephen L.:
  • The Inward Journey: `Homo Faber' and `Heart of Darkness' . 6 (1978), 31-44.

• Waine, Anthony:
  • Images of Women in Anna Seghers' `Der Ausflug der toten Mädchen'. 13 (1985), 1-20.

• Walker, Colin:
  • The Light on the Gods in `Des Meeres und der Liebe Wellen'. 4 (1976), 77-86.

• Wallace, Ian:
  • Teacher or Partner? The Role of the Writer in the GDR. 10 (1982), 1 - 20.

• Ward, Mark G.:
  • A Note on the Figures of Zanga and the Dervish in Grillparzer's `Der Traum ein Leben'. 4 (1976), 129-139.
  • "Only an Elephant Can Bear an Elephant's Burden": German Realism - The Limits an d Limitations of Liberal Reading. 16 (1990), 71-93.

• Watson, Bruce:
  • Some Recent Contributions to Research on Nietzsche . 12 (1984), 37-68.

• Watt, R. H.:
  • Lessing's `Nathan der Weise': A Note on Act III, Scene 6. 5 (1977), 1-8.

• Watt, Roderick:
  • America in the Work of Hermann Broch: the Symbol and the Reality. 3 (1975), 16-30.
  • Andersch, Böll, Lenz and Schnurre on the "Nouveau Roman". 9 (1981), 123 - 143.

• Weidmann, B. G.:
  • Communicating with `Geist'? . 9 (1981), 207 - 215.

• Wells, G. A.:
  • Ethical Absolutism, Hebbel and `Judith'. 12 (1984), 95-106.
  • The Enigma of Hebbel's `Nibelungen'. 13 (1985), 143-160.
  • Criticism and the Quest for Analogies. Some Recent Discussions of Goethe's `Egmont'. 15 (1988), 1-15.

• White, Alfred D.:
  • The Notion of Morality in Wedekind's `Frühlings Erwachen': a Comment. 1 (1973), 116-118.
  • The Grotesque anmd its Applications: the Example of Albert Ehrenstein. 1 (1973), 150-162.
  • Society, Progress and Reaction in `Der Schimmelreiter'. 12 (1984), 151-174.
  • Brecht for the Nineties - Review Article. 16 (1990), 93-124.
  • Brecht for the Nineties? II - Review Article. 18 (1994/5), 185 - 192.

• White, J. J.:
  • A Reappraisal of the Treatment of Aestheticism in Hugo von Hofmannsthal's `Der T od des Tizian'. 2 (1974), 31-47.

• Whitton, Kenneth S.:
  • Afternoon Conversation with an Uncomfortable Person. 2 (1974), 14-30.
  • `Krämerspiegel' - A 20th-century Musical `Komödie': A Footnote to a History of German Satirical Writing. 12 (1984), 107-126.

• Wightman, A. R.:
  • A Socialist `Ehebruchsroman: Günter de Bruyn's `Buridans Esel'. 13 (1985), 71-94.

• Williams, A. F.:
  • Awakening - Poetic Role and Critical Intent in Selected Poems by Heine. 15 (1988), 111-125.

• Williams, J.:
  • Hans Fallada's Memoirs: Fact or Fiction? 12 (1984), 21-35.

• Winnard, Andrew:
  • `These Drowsy Approaches of Sleep': Christa Wolf and the Hypnogogic Dream. 14 (1986), 171-231.

• Winter, Roger:
  • The Study of East and West German. 2 (1974), 82-95.

• Wolff, Roland A.:
  • `Der "Falke" am "Wendepunkt"' revisited: Some Thoughts on Schunicht's Theory and on the German `Novelle'. 5 (1977), 157-168.

• Woods, Roy:
  • Siegfried Lenz's `Ein Kriegsende': Text and Film. 15 (1988), 207-224.

Return to New German Studies page